»Widjaja with his captivatingly handsome stage presence combines musical linearity and sentiment of the orientals with power and muscularity of the westerners in his playing (…). He is able to push the deeply impressed audience into the world of Beethoven and make them rediscover the work through his personal touch. Solemn, vast, brilliant, jubilant, (…)he displays the style of a new generation of violinists with his own personal strength . «
Shanghai eastern broadcasting company, November 2018
»Iskandar Widjaja with his furious violin, animated with urgency and fire and highly sensitive lyricism. It is very unique playing with splinters and disruptions, with intangible and crackling sounds. It’s his complexity of style, which is remarkable. His violin never rests, always floating within the sound of the piano, the vibrations of the orchestra. Iskandar Widjaja is sort of a butterfly. He’s passing from one phrase to another, from idea to idea. I was never bored a single second listening to this marvelous CD. «
Francemusique.com, September 2018
der junge Geiger nimmt für sich ein, mit seiner sensiblen Detailversessenheit – und einem charmant-jünglingshaften Sinn für kitschfreie, authentische Romantik.
Berliner Tagesspiegel, June 2016
Isaac Stern couldn’t have wished for a brighter spotlight. If Widjaja has been received as a sort of pop star, then he’s succeeded on a even higher level in bringing rich musical values to the marketplace than have, say, Nigel Kennedy and David Garrett. His versions of Bach sound like no others. He weds strong timbral individuality to comprehensive technical command and deep musical insight. Urgently recommended! A young violinist, synthesizing much of value from the past with much of value from the present. Intensely interesting—and riveting
Fanfare, August 2014
Iskandar Widjaja[...] fascinates. He can create colours, which are rarely heard. [...]Iskandar Widjaja- a name to watch. Much will be heard of him.
rbb, Brodacast Berlin-Brandenburg, July 2014
Iskandar’s delivery was nothing short of spectacular, and was greeted initially with stunned silence from his awe-struck audience. Few, I doubt, will have witnessed a classical musician of his standard, and this was something very special. His touch was almost passionate, bow movement fluid, fingering precise and his tone subtle yet stirring.
The Jakarta Post, August 2012
Iskandar Widjaja […] emerges as a true force of nature. […] Without in any way losing the structural focus and grip […] he plays with a Grappelli-like fantasy and freedom, that is deeply beguiling. […] There is no doubting the hypnotic intensity of the results, nor Widjaja’s engrossing imperativeness
The Strad, December 2011
Iskandar Widjaja is considered one of the most interesting violinists of the younger generation. The “complexity of his style, his musical imagination with the most varied sonic nuances and facets, as well as his flawless technique and great charisma” [Maestro C. Eschenbach] are praised by colleagues and the media alike. His extremely wide-ranging repertoire is especially focussed on the works of Johann Sebastian Bach.
In his second homeland of Indonesia, he is perceived like a “pop” phenomenon; his medial presence already resulted there in a “trending topic” status (most frequently named term) on twitter©. He collaborates with the premiere-league of classical artists, such as Zubin Mehta, Christoph Eschenbach, Rolando Villazon, David Foster and Fazil Say.
The current season sees two new album releases (Mercy, September 2018, Neue Meister; 1001 nights at the harem, February 2019, Sony classical), a headlined solo tour with his "Mercy" program, and Orchestra debuts with the Shenyang, Harbin and Tirana Symphony Orchestras, as well as returns to the Hamburg Elbphilharmonie and debuts in Paris and New York.
Iskandar is the LOTTO promotional prize winner 2013 of the Rheingau Music Festival, a prize awarded annually to a young soloist of the "next generation"scheme. The jury’s explanation was as follows:
“Amongst the many young talents from all over the world, Iskandar Widjaja convinced us with his technical perfection and absolute authenticity. His playing is of an artistic imagination and freedom that can only be rarely experienced; it sweeps the listener away emotionally. His especially unforced and refreshing interpretations unavoidably lead to a special sonic experience on the part of the listener. Iskandar Widjaja plays directly into the hearts of his audience with his honest, sympathetic radiance.”
In addition, he won the gold medal at the 1st International Hindemith Violin Competition, the First Federal Prize at “Jugend Musiziert” (YouthMaking Music) a number of times, “Best Bach”and “Best Beethoven Sonata” at the 21st Concorso Violinistico Internazionale Andrea Postacchini, the “Julius Junior” in the category “Young Talent” awarded under the patronage of the Mayor of Berlin to outstanding personalities in municipal life, as well as stipends of the “Deutsche Stiftung Musikleben” (German Foundation for Musical Life)
In 2013 he was accepted into the soloist advancement programme “Orpheum Foundation” by recommendation of Zubin Mehta and Christoph Eschenbach.
Iskandar’s activities as a soloist have taken him to five continents. Engagements lead to performances with ensembles such as the Sydney Symphony Orchestra, l'Orchestre de la Suisse Romande, the Munich Philharmonic, the Konzerthausorchestra Berlin , the Deutsche Symphonieorchester Berlin, the Warsaw Philharmonic Orchestra, Radio Symphony Orchestra Vienna, Brandenburgisches Staatsorchester Frankfurt ,the Orquesta de Valencia, Orquesta Filarmonica de Gran Canaria , the Berliner Camerata, the Oslo Camerata ,Collegium Musicum Basel, Hong Kong Sinfonietta, Stuttgarter Kammerorchester, the Jakarta Philharmonic Orchestra, Manila Symphony Orchestra, Shanghai Philharmonic and others , at venues like the Berlin Philharmonic Hall, Konzerthaus Berlin, Laeiszhalle Hamburg, Elbphilharmonie, Philharmonie Essen, Konzerthalle Bamberg, Philharmonie Luxembourg, Tonhalle Zurich, Vienna Konzerthaus, Casino Basel, Conservatoire Geneve, Aula Simfonia Jakarta ,Hong Kong City Hall , Guangzhou Opera House or the Tel Aviv Opera House .
He has concertized repeatedly at such renowned festivals as the “Kissinger Summer”, "Usedom Festival", "Rheingau","Movimentos", "Moritzbug", "Dresdener Musikfestspiele", AUDI Sommerkonzerte (DE), “Valdres Sommersymfoni”(NO), “Festival de St. Prex”(CH), "LUNA Classics"(CH), ”Styriarte”(AT), “Music Festival Phnom Penh”(KH), Interlochen Arts Festival”(US) and “Keshet Eilon”(IL) and was invited to tour South-East Asia by the Goethe Institute.
Iskandar opened the APEC Summit (Asia-Pacific Economic Cooperation) in 2013. Among the invited guests of the opening ceremony were President Obama, President Yudhoyono and other asian leaders. At the opening of the ITB 2013(international tourism fair) with Chancellor Merkel and President Yudhoyono ,he was invited to musically represent the official partner country Indonesia.
David Foster invited Iskandar to perform with him in Jakarta in 2012.
In September 2014 Iskandar opened the Davis Cup in Geneva with a performance of his single "Burn" to a live audience of 18.500 in the Palexpo Hall Geneva. The performances was broadcasted live in 101 territories by 29 broadcasters followed by 110 million viewers.
In August 2015 Iskandar represented Indonesia on the EXPO Milano.
In 2016 Iskandar played the world premiere of „Across the stars“ -Suite for Violin and Orchestra from STAR WARS by Oscar-winning composer John Williams at the Vienna Konzerthaus with the ORF Radio Symphony Orchestra Vienna , with TV broadcast in 35 countries to 65 Million Mediapartners.
In 2017 he perofrmed his single "Burn" at the TV contest Miss Earth, globally broadcasted.
In 2018 he was invited to perform for the IMF in Bali at a celebration of the World Bank annual meeting in presence of many distinguished political guests.
Furthermore, Iskandar Widjaja is musically committed to charitable organisations such as the WWF and Live Music Now e.V. His exclusive charity concert in Bali for the UNICEF supported educational opportunities for children in the Asia-Pacific region.
His charity event "Musik yang Membebaskan" in collaboration with KOMPAS Gramedia, indonesias premier newspaper, sponsored musical instruments and instructions for streetchildren. He is a strong supporter and ambassador of the "Be Sharp" foundation Indonesia, which provides free after school music lessons and instruments.
Iskandar Widjaja received valuable artistic impulses from Dora Schwarzberg, Christian Tetzlaff, Shlomo Mintz, Midori, Ana Chumachenko and Ida Haendel.
Born in Berlin, Iskandar began playing violin at the age of four, at first with the Suzuki method under Susan Mann. At eleven, he was accepted as an extraordinary student at the College of Music in Berlin, where he studied with Ursula Scholz and Joachim Hantzschk. Furthermore he studied at the Julius Stern Institute Berlin– the pre-college division for the highly musically gifted. After completing secondary school, he studied violin at the University of the Arts in Berlin with Prof. Uwe-Martin Haiberg and Prof. Ilan Gronich, which he completed in 2010.
His Debut CD “Bach ‘n’ Blues” was released worldwide by OehmsClassics in 2011 to great critical acclaim by press and recommendation by bavarian-, hesse-, and northgerman broadcast.
His second album ,"precious refuge-works by J.S.Bach", recorded with the Berliner Camerata ,was released in April 2014 with notable reviews and recommendations by FonoForum,NDR, BR Klassik,Deutschlandradio Kultur,the Strad,pizzicato magazine and was named "CD of the month" by Rondo magazine.
His third album , „Tango Fuego“ reached the classical bestsellers in 2014 and was enthusiastically reviewd in the german press.
Furthermore, Iskandar has been the face for Indonesias high end coffee brand „JJ Royal“ as a brand ambassador and TV commercial model for three years. He has been on the cover of indonesias „High End“ magazine, fashion-tv magazine, the Jakarta post, to name a few. Recently he collaborated closely with the VOLKSWAGEN group. His concert wardrobes are officially sponsored by Tommy Hilfiger. Photoshoots for cosmopolitan, inStyle , mens folio or the Volkswagen Magazine round out his profile as a modern classical violinist.
He is a strong believer in the " No genre- just music" policy- and in his concerts likes to mix gernes and styles, such as hip hop, classical, baroque, pop, electro, ethno and cinematic pop.
He plays a Jean Baptiste Vuillaume from 1875 and a Stradivarius from 1734, kindly on loan by Florian Leonhard.